These are our latest reviews of movies at theaters, at the art house, or at festivals.
A Cure for Wellness is a deliciously wild and twisted psychological horror thriller.
A Cure for Wellness is a deliciously wild and twisted psychological horror thriller that works on several levels.
It’s a big-budget B-movie featuring a cheap story.
Given the army of writers behind this big-budget B-movie, the story in this historical fantasy is pretty cheap.
When it comes to the Caped Crusader, there really isn’t much separating the men from the boys.
The Lego Batman Movie provides further proof that — at least when it comes to the Caped Crusader — there really isn’t much separating the men from the boys.
Chapter 2 of John Wick’s story is a big, bad bullet opera.
John Wick. Whoa. That dude is cool and Chapter 2 of his story is a big, bad bullet opera that leads to one excellent demand: there better be a Chapter 3.
The Space Between Us isn’t worth exploring.
The Space Between Us is a cluttered mess. The Space Between Us is full of holes. The Space Between Us is a title — and a movie — that’s easy to mock.
Matthew McConaughey mines another rich characterization in Gold.
Matthew McConaughey mines another rich characterization in this offbeat tale of misfortune and glory.
Split earns a divided review.
Everything that works in Split is James McAvoy.
Xander Cage’s return is absurd and he knows it.
xXx’s latest save-the-world adventure is absolutely, completely and utterly preposterous. But it’s also disarming in its exuberance and the joy with which it relishes in the comic absurdity of the whole thing.
Silence is a hard movie to dismiss.
The reward at the end of Silence is enough to justify the long, arduous journey.
2016, Morton Tyldum
Nice scenery, but they should have packed more thematic baggage
A major corporation has developed technology that’s able to ferry people through space in a state of hibernation until they reach a new planet called Homestead 2. By the time they arrive at a place that’s free of Earth’s deterioration and crowding, they’ll have been in a state of suspended animation for 120 years.
2016, Denzel Washington
Theatrical power build’s Washington’s take on Fences
Anger and irony always have informed Denzel Washington’s best work, and in his adaptation of August Wilson’s play Fences, Washington finds a character that’s equal to his taunting, incisive intelligence and his unwavering commitment to finding the dramatic truth of every character he plays.
Moana flows like the ocean.
As far as animated musicals go, Moana is about as good as it gets.
Truly, this might be the biggest blown opportunity of the year in moviedom.
This tale of Howard Hughes, Hollywood and honey babies isn’t enriching enough.
The more it’s thought about, the better it settles in the mind.
The humans are more fantastic than the titular beasts in this mostly satisfying, multi-layered fantasy.
2016, Ben Younger
Tells a powerful story, but not always with distinction
Boxing movies long have been a staple in Hollywood’s repertoire with Martin Scorsese’s Raging Bull still topping most lists of big-screen knock-outs.