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" She’s a 130-year old voodoo witch who eats people? "
— John Goodman, Blues Brothers 2000

MRQE Top Critic

Human Capital

Italian film weaves three lives from different social strata into a complex whole —Marty Mapes (review...)

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The title stands for Long Island Expressway — an area that anchors a wide variety of denizens. Mainly there’s a teenage kid who can’t get over the death of his mom. But the secondary character ends up being a surprisingly sympathetic pedophile played, with great nuance and depth, by Brian Cox. Nothing ever gets too out-of-hand, but stuff bordering on the taboo gets skirted enough times to make the less hardy viewer cringe.