Recent Reviews

Loaded with ambition, Clayface still melts under basic laziness.

Wicker is ludicrous. By design.

It’s been quite the year for high-concept, high-quirk movies. Digger stands at the top of the list. By far. (Digger Nation unite!) But there are others. Rather like One Night Only, Wicker sounds like a really bad, disagreeable idea.

Sure. You Can See Everything, but you should trust nothing.

Misty Green leaves the audience holding the bag.

Working the story behind the Facebook Files like an entertaining spy thriller, Aaron Sorkin creates a movie worth sharing.

Verity the movie is every bit as catatonic as Verity the character.

Frustrating. Annoying. Colorful. Wild. Deep. Invigorating. Digger is swing-for-the-fences filmmaking that – after a couple strikes – smacks an ultra-rare in-the-park grand slam.

Forgotten Island is a breathless ride through a busy landscape of history, ideas and emotions.

In a twist on all the man’s best friend tropes, Heart of the Beast turns into a full-on tribute to the literal dogs of war.

Primetime is a morally compromised telling of Chris Hansen’s ethically challenging endeavor to get sexual predators off the streets.

Zach Cregger’s cracked the horror code with this surprisingly effective retooling of the Resident Evil video games.

Adam Wingard’s Onslaught is a messy, violent exorcism of movie demons, but it’s also a muddled headscratcher.

The real fun isn’t even in the story or the characters.

The opening minutes of The End of Oak Street are classic ’80s movies nostalgia. They’re happier times, friendlier times. Neighbors gather for a pleasant block party of lawn games and bar-b-ques. Kids do the unthinkable: they play with their friends outside and go for bike rides around the ’hood.

As horrible as its premise sounds, One Night Only rather magically turns into one of the summer’s most pleasant surprises.

This undercooked tale of a self-made asshole is missing some key ingredients needed for a well-done movie.